Review byThomas Glorieux:After the departure of half of the entire crew that made Medal of Honor somuch beloved over the years (including composer Michael Giacchino), thenew game series is trying to improve the matters with simply other names. With Medalof Honor: European Assault they made a promising yet short releasethat made good things happen in a sadly brief lasting game. The missionswere excellent, the pre features of real surviving war veterans was a truecalling card to the games authentic look, the gameplay became a thrilling(read more realistic) improvement that made it for playstation mattersmore interesting and the score by Christopher Lennertz kept growing in theseries with a more promising score then his opener Rising Sun and PacificAssault. As said, its frustrating therefore the game doesn't last longat all, leading the gamer in a short but pleasing war zone and the scorethat accompanies in an equally too short listen. The score therefore lastsonly half of what Giacchino could deliver in his scores, leaving sometimesthe development a bit too short to finish it with the final blast.Something that Michael easily could do with ease. However, what EuropeanAssault has it advantage to his other 2 scores is a winning maintheme.

1. Medal Of Honor European Assault Soundtrack Russia
2. Medal Of Honor Frontline Soundtrack
3. Medal Of Honor European Assault Soundtrack

Its wonderful noble heroics was growing over the main menu everytime you started the game, leaving you constantly waiting for it finishafter minutes. Its a growing elegiac theme that grows over solo trumpetsto more orchestral noble intentions and finally to choral majesty, lettingthe emotional content of the music really soar over the game's intentions.That is found in 'Dogs of War (Main Title)', a real opener. With 'Operation Chariot'comes one of the first and perhaps best action tracks, not reallyexploding in the Giacchino spirit of bombast, but at times getting closewith a brassy enemy theme over whirling strings. He introduces us to moremain theme variations in this piece too.With 'Casualties of War'and the closing 'One Man can Make a Difference' we have the softer,more noble variations on the theme setting a calmer mood down, or itsthrough cello and soft strings or through grows of the brass and choir. 'Redball Express'captures the more expected music with the brass and strings doing whatthey were doing in other scores too while 'Clearing Tobruk' is ashort but pleasing return to more Giacchino flesh out ideas, a marchingbrass growing piece. Sadly the longest track 'North Africa' is notexploding to anything, at time getting a darker tone and some theme variationsbut it never becomes more then a light suspense builder.

'The Desert Rats'briefly again puts Giacchiano back at the helm, maraca's setting a coupleof Michael's ideas at work (parts of themes he wrote) while 'Russia, 1942'is the best piece of the latter part, setting up the choir with a growingblast of brass to the main theme's pounding galore. 'Battle of theBulge' never resolves in the finish wanted and expected by thelistener, however its nice to have a brief version of Giacchino'sNazi theme in the begin while the suspense music over the theme is makinggrowls but never thrills. Altogether Medal of Honor: European Assaultis a good score, a better feeling MOH then Rising Sun but it neverexplodes into the thrill Michael Giacchino could deliver in one trackalone. That was Giacchino's strength, he created for each track sub themes,and he expanded on that theme from begin to the finish, here the finish isat times missing. However, Lennertz wrote a great main theme alone thatcarries half of the weight and wrote various good pieces around it,perhaps not making the final splash but still creating waves around itthat can please many people of the MOH series.

Orchestral there is nothingwrong with it and thematically it will please a lot with its performance,only it falls a bit light at the end if you want to compare.

Review byThomas Glorieux:After the departure of half of the entire crew that made Medal of Honor somuch beloved over the years (including composer Michael Giacchino), thenew game series is trying to improve the matters with simply other names. With Medalof Honor: European Assault they made a promising yet short releasethat made good things happen in a sadly brief lasting game. The missionswere excellent, the pre features of real surviving war veterans was a truecalling card to the games authentic look, the gameplay became a thrilling(read more realistic) improvement that made it for playstation mattersmore interesting and the score by Christopher Lennertz kept growing in theseries with a more promising score then his opener Rising Sun and PacificAssault.

As said, its frustrating therefore the game doesn't last longat all, leading the gamer in a short but pleasing war zone and the scorethat accompanies in an equally too short listen. The score therefore lastsonly half of what Giacchino could deliver in his scores, leaving sometimesthe development a bit too short to finish it with the final blast.Something that Michael easily could do with ease. However, what EuropeanAssault has it advantage to his other 2 scores is a winning maintheme.

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Medal Of Honor European Assault Soundtrack Russia

Its wonderful noble heroics was growing over the main menu everytime you started the game, leaving you constantly waiting for it finishafter minutes. Its a growing elegiac theme that grows over solo trumpetsto more orchestral noble intentions and finally to choral majesty, lettingthe emotional content of the music really soar over the game's intentions.That is found in 'Dogs of War (Main Title)', a real opener.

Medal Of Honor Frontline Soundtrack

With 'Operation Chariot'comes one of the first and perhaps best action tracks, not reallyexploding in the Giacchino spirit of bombast, but at times getting closewith a brassy enemy theme over whirling strings. He introduces us to moremain theme variations in this piece too.With 'Casualties of War'and the closing 'One Man can Make a Difference' we have the softer,more noble variations on the theme setting a calmer mood down, or itsthrough cello and soft strings or through grows of the brass and choir. 'Redball Express'captures the more expected music with the brass and strings doing whatthey were doing in other scores too while 'Clearing Tobruk' is ashort but pleasing return to more Giacchino flesh out ideas, a marchingbrass growing piece. Sadly the longest track 'North Africa' is notexploding to anything, at time getting a darker tone and some theme variationsbut it never becomes more then a light suspense builder. 'The Desert Rats'briefly again puts Giacchiano back at the helm, maraca's setting a coupleof Michael's ideas at work (parts of themes he wrote) while 'Russia, 1942'is the best piece of the latter part, setting up the choir with a growingblast of brass to the main theme's pounding galore. 'Battle of theBulge' never resolves in the finish wanted and expected by thelistener, however its nice to have a brief version of Giacchino'sNazi theme in the begin while the suspense music over the theme is makinggrowls but never thrills. Altogether Medal of Honor: European Assaultis a good score, a better feeling MOH then Rising Sun but it neverexplodes into the thrill Michael Giacchino could deliver in one trackalone.

Medal Of Honor European Assault Soundtrack

That was Giacchino's strength, he created for each track sub themes,and he expanded on that theme from begin to the finish, here the finish isat times missing. However, Lennertz wrote a great main theme alone thatcarries half of the weight and wrote various good pieces around it,perhaps not making the final splash but still creating waves around itthat can please many people of the MOH series. Orchestral there is nothingwrong with it and thematically it will please a lot with its performance,only it falls a bit light at the end if you want to compare.